https://www.course-bookings.lifelong.ed.ac.uk/courses/F/film-media-and-contemporary-cultures/C1644/writing-on-film-introduction-to-film-journalism/
With this essay I had to review a scene from a film. The film I chose was Buffalo 66 (starring Vincent Gallo and Christina Ricci) and I chose a scene about 1 hour in to the film involving a photo booth.
Buffalo
66
Directed By Vincent Gallo
Starring Vincent Gallo and Christina Ricci
Scene - Photobooth
Duration - approximately 4 minutes.
The scene begins when we see Billy Brown (Vincent Gallo)
leading Layla (Christina Ricci) into a photo booth. Billy forcefully commands
Layla into the booth, however she appears to be willing and excited at the
prospect. The camera follows the pair, sweeping across the bowling alley, as
they walk across the concourse. They could be an average boyfriend and
girlfriend, however their relationship is not simple.
When we cut to inside the booth the viewpoint changes; we
are looking from the point of view of the photo booth camera. This enforced
viewpoint presents the couple as being concealed in a tight space. This could
be seen as underlining the closeness that the characters feel towards one
another but also highlighting the tension between them.
What makes this scene pivotal is that this is the first time
we explicitly hear Layla express her fondness for Billy. She has been free to
leave to him, but has stuck by his side. In previous scenes we have uncovered
elements of Billy's past and understand his anger and short temper, however
Layla's motivation remained a mystery. Despite being kidnapped by Billy she has
stuck by a man who has insulted her and treated her with no respect. Layla
however does not come over as a victim. We know she is in a busy bowling alley
and could seek assistance if she was seriously othreatened by her kidnapper.
Layla teases Billy in the booth. She trusts him and does not
fear his anger or rage, despite the fact the he is arrogant and dictates orders
with patronising repetition in his language.
The mischievous nature of Layla is in contrast to Billy. He
stares into the camera without smiling. He is not in the mood to play and
purely sees the photo opportunity as an exercise to take an image for his
parents and not as a romantic gesture towards Layla.
Despite this, the affection that Layla clearly has,
foreshadows the conclusion of the Buffalo 66 and creates an intriguing scene.
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